In 2012 she created Phonocular, a studio that since then has sought to focus 100% on documentary content from independent creators. A couple of years ago Phonocular managed to establish itself as such.
Olivia has had the opportunity to work on documentary films such as ¨La Hora de la Siesta¨, ¨Tío Yim¨, ¨Las Flores de la Noche¨, ¨Bruma¨, ¨El Viaje de Paty¨, among others.
She studied photography in Mexico, Spain and France. In 2018, she premiered his debut documentary ¨Lejos del Sentido¨ with the support of the Latin American fund of the Tribeca Festival, as well as the Grodman UDEG scholarship. Selected in national and international festivals, such as the International Festival of Guadalajara, Morelia, Lima, AFI, etc. She won the Star Prize at the Havana Film Festival in NY. She later made the documentary ¨La Abuela del Año¨ and now is currently working on her second documentary feature film, ¨Brigada 2045¨
Production / Sound Design
Partner of Phonocular, Odín has collaborated in more than 100 projects as supervisor, designer, sound editor and mixer from fiction and animation from his firm OA Sound.
His sound work stands out in ¨Zimbo¨, ¨Los Aeronautas¨ and ¨Cerulia¨ stop motion short films winners of the ARIEL award. He participated in the sound studio of the Talent Campus in Berlin in 2013. He made his debut as producer of the documentary film ¨Lejos del Sentido¨.
He is co-producer of Luna Marán's ¨Tío Yim¨ (Ambulante, FICM, BBC Long Shots) and Sofía Gómez Córdova's ¨Los Años Azules¨.
In 2019 he collaborated with the sound design of the exhibition ``At home with my monsters'' by Guillermo del Toro curated by Eugenio Caballero. That same year he concluded the feature films: ¨Las flores de la noche¨ by Omar Robles and Eduardo Esquivel and ¨Sin Origen¨ by Rigoberto Castañeda. His most current job was production management and directing assistance for the second unit filming of Guillermo del Toro and Mark Gustafson's ¨Pinocchio¨